Open your catalogue to the world without an advance

Pick the tracks, approve the lyrics, keep your copyrights. Choose a service fee or a revenue share, agreed in the framework before production.

No advance required

Choose a service fee or a revenue share, agreed in the framework. The split is set before production.

Opt-in per track

You decide which songs, which languages and which artists. Nothing moves without your sign-off.

You keep your copyrights

The original stays yours. You own the new version too. The original writers’ shares are unchanged, and Moozz is credited as producer.

Every version documented

Consent, approvals and splits are recorded for each track, so every party can prove its rights.

Three ways to work with us

Service fee

You pay a fixed price per track and language. You own the new version. Best for catalogues with a clear release plan and budget.

Revenue share

No upfront fee under revenue share. Moozz takes a share of the new master’s revenue, and the agreement sets the split. You keep ownership and control. Best for back catalogue you want to test in new markets at no risk.

Hybrid

A reduced fee plus a smaller share. You keep ownership and control. Best for priority releases where you want speed and lower exposure.

Exact terms are set once in a framework agreement and apply to every track you opt in afterwards.

How it works

  1. 01

    Sign one framework agreement

    Terms, territories and reporting are agreed once for your whole catalogue. You keep ownership and control.

  2. 02

    Opt in tracks

    Send us a list or use the partner dashboard. For each track: languages, artist consent and lyric approver.

  3. 03

    Approve the lyrics

    Your team and the artist approve the adapted lyrics before any version is produced. Two rounds of lyric revisions are included before approval. Changes after approval are a new adaptation.

  4. 04

    Release and get paid

    You release through your own channels or a distributor you choose. Reporting and payment terms are set in the framework, and splits are registered at source.

Built for your side of the table

Labels

Your catalogue is already selling in markets that don’t speak its language.

  • New versions as new releases, with no studio cost.
  • Rights owners consent built into the process.
  • You keep ownership and control of the master.
Talk to us

Publishers

Every language version is a derivative work, with the original work and writer shares unchanged.

  • Adapted lyrics are produced by the Moozz system and approved by you and the writers.
  • Original writers keep their share.
  • You keep ownership and approval rights on every lyric.
Talk to us

Distributors

Offer new-language versions to your artists as a service.

  • White-label option.
  • Split payments handled at distribution level.
  • You keep control. No change to your existing contracts.
Talk to us

Artists who own their rights

Reach fans who never understood your lyrics.

  • You approve every word.
  • Your voice is used only with your written consent.
  • You decide where it’s released.
Talk to us

Rights and consent

Do I lose any rights to the original?

No. The original master recording and composition are untouched and remain yours.

Who owns the new language version?

You own the new version. The original composition, its songwriters and their shares stay unchanged. Moozz is credited as producer. Where a revenue share applies, the framework sets the split.

Does the artist need to agree?

Yes, always. We do not produce a version without the artist’s written consent to use their voice.

Can I stop a version after release?

An artist or rightsholder can withdraw consent for future use of a language version at any time. Withdrawal applies to new releases and uses from the date of notice; existing releases follow the agreement’s takedown terms.

How are the new lyrics written?

Adapted lyrics are produced by the Moozz system to fit the melody, delivered with a back-translation, and approved by you and the artist before any version is produced. You keep control at every step.

How are payments tracked?

Publishing shares are paid through collecting societies where applicable. Reporting and payment terms are set in the framework agreement. You keep ownership of your master.

Start with one track

Send us one song and one language. We will quote a service fee or a revenue share so you can judge the fit before signing anything.

Send one track